The masculine character of Kiani’s brutal villa by Makan Rahmanian and Kamran Heirati, Karaj, Iran
Kiani's Brutal Villa, designed by Makan Rahmanian and Kamran Heirati in Karaj, Iran, is remarkable for its impressive masculine character, which has been achieved through the use of distinct Brutalist architectural features. The villa boasts a breathtaking outdoor architecture of concrete volumes, monolithic walls, and irregular skylights that create an intense and oppressive atmosphere. Inside the villa, its use of irregularly sized spaces and dark colors create a relevantly dramatic atmosphere, that is further complemented by the natural light coming from the large windows. The villa is a perfect combination of modern architectural elements and natural aesthetics.
This luxury villa is located near Karage. Makan Rahmanian and Kamran Kheirati have designed a stylish project with a masculine touch! Popular Portal invites its readers to enjoy the combination of magnificence and rebelliousness.
Impressive residence, with more than five hundred square meters, includes a two-storey L-shaped mansion, a terrace and Large outdoor pool. Consistently sleek design through the use of simple colors and clean, defined shapes.
The heart of the project is the spacious living room on the second floor. To add dynamics and a touch of risk to the property, the entire massive structure is supported by just one column!
Fair-faced concrete and marble is used for the finish. The unconventional layout of the house had a decisive impact on the design of the living room. It is located outdoors by the pool, but still sheltered from the hot sun and rain under the stone arches of the building.
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Comments: 2
Clara Foster
I am curious about the inspiration behind the design of Kiani’s brutal villa by Makan Rahmanian and Kamran Heirati in Karaj, Iran. Could you elaborate on the concept and what elements were used to create the masculine character of the villa?
Reply
Riley Nichols
Kiani’s brutal villa was designed by Makan Rahmanian and Kamran Heirati. The inspiration behind the design stems from the concept of creating a masculine character for the villa. To achieve this, several distinct elements were incorporated into the design. The architects focused on utilizing a brutalist architectural style, characterized by bold, raw and rugged forms. This involved using concrete as the primary material, exposed structural elements, and minimalist aesthetics. Additionally, the villa features large, expansive windows that allow for a seamless connection between the interior and the exterior, emphasizing a sense of strength. The overall design language seeks to evoke a powerful and commanding presence, reflected in the villa’s angular lines and geometric shapes. These elements collectively contribute to the creation of a masculine character, portraying a strong, robust and authoritative architectural statement.
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I am curious about the inspiration behind the design of Kiani’s brutal villa by Makan Rahmanian and Kamran Heirati in Karaj, Iran. Could you elaborate on the concept and what elements were used to create the masculine character of the villa?
Kiani’s brutal villa was designed by Makan Rahmanian and Kamran Heirati. The inspiration behind the design stems from the concept of creating a masculine character for the villa. To achieve this, several distinct elements were incorporated into the design. The architects focused on utilizing a brutalist architectural style, characterized by bold, raw and rugged forms. This involved using concrete as the primary material, exposed structural elements, and minimalist aesthetics. Additionally, the villa features large, expansive windows that allow for a seamless connection between the interior and the exterior, emphasizing a sense of strength. The overall design language seeks to evoke a powerful and commanding presence, reflected in the villa’s angular lines and geometric shapes. These elements collectively contribute to the creation of a masculine character, portraying a strong, robust and authoritative architectural statement.